Elliott has performed throughout the world with such groups as the Cecil Taylor Ensemble, Harold Melvin & The Bluenotes, New Ghost, Interplay, Talking Free Be-Bop, Odean Pope's Saxophone Choir, Don Preston's Akashic Ensemble, Cee-Knowledge & The Cosmic Funk Orchestra, Alan Silva's Sound Vision Orchestra. He has collaborated in performance with many poets including Miguel Algarin, Bob Holman, Gloria Tropp, Reg. E. Gaines, John Sinclair, Butch Morris' CHORUS OF POETS, Wil Perkins, Frank Messina and David Amram.
He has received grants from New American Radio (NY), THe City of Los Angeles Cultural Affairs Dept., the California Endowment for the Humanities, and Meet the Composer.
His original music and poetry can be found on the recordings- OLDUVAI MUSIC ("Or-Om-You'll-Us"- 1978), and ILTAR ("Ewe-Doh-Noh-What-Fo'-Kiss"-1979), both on TIWA Records. He was the associate producer, composer, and performer for the compilations: POETRY IN PHILADELPHIA (1989), and MUSIC FROM PHILADELPHIA (1990). As producer, composer, performer, in 1990 and 1992, he created two internationally broadcast features for New American Radio, including the compositions: "A Gift of Ghosts", "SubterraneanPhilHolyFeastOfAll", and "Whose Myth Are Youse With?". These were also released on a Phila. Music compilation "if It Dropped In Your Neighborhood..." in 1995.
In 1993 "Whose Myth...?" was used as the title and as the featured work in a multi-disciplinary event sponsored by The Watts Towers Cultural Center in LA. "Huan" is a poetic/musical duet performed and recorded at The Berlin Total Music Meeting with Cecil Taylor in 1996. "A Bleak, Stark Beauty", and "Northern Liberties" were performed and recorded for The Fire In The Valley Festival in Amherst, Mass. with The Jackson Krall Quintet (1996). THE MOTION OF EMOTION CD was released by the Elliott Levin Quartet in 1998 on CIMP, followed by A FINE INTENSITY, SOUL-ETUDE, ON IN ONONDAGA (Opportunities and Advantages). NEW GHOST: LIVE UPSTAIRS AT NICK'S was released by ESP-Disk in 2006. HIs first book of poetry, "does it swing?" was published in 1996 by Heat Press of LA. IN Collages & Bricollages (#11, 1998) Katherine Graham's review states, "This stuff does more than swing. It dances and sings with a resonance of heart crafted toreach our intellectual, emotional, and spiritual lives with intimate sounds, tastes, smells, and touch."
Elliott Levin's musical and poetic inspirations are drawn form the roots of American forms of jazz and blues (along with many other international, cultural, folk, and classical forms) to grow into the more expansive techniques of the extended compositional and improvisational directions of modern innovators such as Cecil Taylor, Sun RA, Frank Zappa, and Don Van Vliet, to cite a few sources of inspiration. For the past 25 years, he has been intimately involved in the integral interplay of the language of music, and the music of language.